We make boxes. Lots and lots of boxes. Large, small, metal-edged, ready-to-assemble, standard and custom. Sometimes a project comes along that leaves all of us breathless… and not because of how difficult it was to create.
One customer contacted us with a sketch (see picture) and a story that certainly touched our hearts. He was looking for a box with a cut-out of a Humming Bird and a Flower, together with a Latin saying. It was a gift for his fiancee meant to hold World War I love letters of her great-grandfather. How cute is that?
It took hours of work, both designing and producing this truly one-of-a-kind special box, but when it was finally done, we were so proud of the results and happy to help our customer in his quest for the perfect gift that we wanted to share it with you, our readers!
Introducing… Rudolf, the B-Flute Reindeer, a new resident of our pre-holiday offices here at University Products. Conceived on the world wide web, born and bred on the box-cutting machine in our Holyoke, MA building.
It was such a fun little project to make and now he is absolutely everybody’s favorite! His hide is a nice acid-free blue-gray, he’s strong and sturdy, yet light on his feet. Wait… he doesn’t have feet. Anyway, he’s light and easy to transport, how’s that?
All joking aside, our amazing Zünd G3 custom box machine can cut pretty much anything out of pretty much everything. If you need a custom enclosure (just one, or a hundred) or have another special project in mind, please feel free to contact our friendly and knowledgeable customer service representatives for a quote (call 1.800.628.1912) or fill in this form and fax it to 1.800.532.9281.
And as a special treat, we would like to give you a chance to win your very own corrugated deer! Share this on your blog, facebook or twitter, leave a comment with a proof-link below and your name will be entered into a drawing which will take place at noon, on Monday, December 23.
Happy Holidays from your friends at University Products and Rudolf!
Robert Fulton , who was born on November 14, 1765, in Little Britain, PA, was an American engineer and inventor who is widely credited with developing the first commercially successful steamboat. In 1800, he was commissioned by Napoleon Bonaparte to design the Nautilus, which was the first practical submarine in history. He is also credited with inventing some of the world’s earliest naval torpedoes for use by the British Navy.
University Products’ founder, Dave Magoon, is quite a collector of paper ephemera and we were able to get our hands (and cameras) on some of the pieces from his collection related to Robert Fulton and his amazing inventions. The best way to protect paper artifacts such as these is to ensure they are stored in a dry cool place. Archival encapsulation (to shield it from dust, dirt and other dangers) as well as appropriate box storage solution (to protect from light and other hazardous elements) can greatly extend the life of even most fragile paper treasures.
Because our state of Massachusetts has played such a huge role in American history and culture, it is home to a multitude of documents, artifacts and objects of historical significance. Some of them are preserved at the esteemed Massachusetts Historical Society. Here you can see the fourth volume of a set of Revolutionary-era Boston newspapers collected, annotated, and indexed by Harbottle Dorr, Jr., a Boston shopkeeper, from 1765 to 1776. After the pages were dry-cleaned and the ink tested for solubility, the MHS conservator washed and de-acidified the pages in purified water.
After a gentle wash, pages were dried, and then, the conservator used Japanese tissue paper and wheat starch paste to repair them. You can see a close-up of the restored bottom of the page in the photograph on the left. This project took place in the conservation lab of the Massachusetts Historical Society. You can also read more about MHS conservator and her work on the project in this post on the society’s official blog, The Beehive.
The Massachusetts Historical Society is an independent research library and manuscript repository founded in 1791. Its holdings encompass millions of rare and unique documents and artifacts vital to the study of American history, many of them irreplaceable national treasures. Among them is correspondence between John Adams, who’s birthday will be celebrated tomorrow, and his wife Abigail. You can even view some of their letters right on your computer, in amazing high resolution, including her famous “Remember the ladies.“
In some places they say moving is worse than (or at least equals) an earthquake. Now imagine moving a fragile and priceless Museum collection? Or, better yet, the entire museum! The challenges that museum professionals face when presented with a task of packing, transporting and re-installing precious artifacts can be daunting.
Each individual item needs to be assessed, based on it’s individual qualities and state. Precise measurements need to be taken. Custom temporary housing that can withstand the hazards of traveling (be it by air, or by car/truck) needs to be created. Special traveling arrangements, including such diverse details as security and climate control during the journey, have to be made.
Amongst several institutions that recently undertook such monumental tasks and lived to tell the tale, is the University of Pennsylvania Museum of Archaeology and Anthropology, which lent one of 64 objects from 21 collections that were delivered and set up at Hallie Ford Museum of Art in Salem, OR. UPenn even dispatched a specialist, Katy Blanchard, keeper of the Near East collection, to head the unloading and installation of a 5,000 year old sculpture on loan for the ongoing show “Breath of Heaven, Breath of Earth: Ancient Near Eastern Art From American Collections” which will be on display at Hallie Ford until the end of this year.
Now, the process of moving the entire collection of Alaska State Museum to a brand new Alaska State Libraries, Archives and Museums building in Juneau hasn’t even started, but the staff and volunteers are hard at work, packing it all up and getting everything ready. Even though the trip won’t be long and most of the items will be moved on carts via a tunnel that will be built between the old and the new buildings, the task is not an easy one. Apparently there’s no manual on how to move a museum collection, so they had to improvise a lot.
Individually designed custom mounts and boxes were devised for each fragile item in the collection. Literally, each drawer, display and a box of items has a special plan. Every item is numbered and the numbers are linked with the museum’s database which helps to keep track of the entire collection. Although they are still in the beginning of this road, museum staff are confident that by this time in 2016 when the new building opens it’s door, all the precious artifacts will be safely moved and preserved for admiration by the many generations ahead. Among the many useful tools that might help to achieve such a task are:
• Ethafoam planks, rods and sheets – lightweight, versatile archival foam material which is ideal for creating mounts, temporary, as well as long term storage housing for oddly-shaped 3-dimensional artifacts. Ethafoam cutting and shaping tools are also available.
• Artifact Bubble Wrap and/or Polyester Batting will provide much needed cushioning and protection on the move.
• Drop-N-Tell and Tip-N-Tell indicators together with large warning labels will serve as a caution against rough handling during shipping.
• Perma/Cor E-Flute and B-Flute Corrugated Board is a prefect material for creating custom-sized (and shaped) protective enclosures and boxes.
• Glass Shield and Adjustable Frame Corner Protectors will temporarily protect your framed art from damage during the move.
• A-Frame Painting Transport Cart is perfect for moving large heavy items around and beyond the museum walls.
We decided to share with you this wonderful video, showing (and describing) conservation process that took place at the esteemed Victoria and Albert Museum‘s conservation labs a few years ago, during preparations for a large exposition dedicated to Diaghilev’s Ballets Russes. An extremely diverse collection, ranging from theatrical set decorations to ballet costumes, worn by world renown dancers, with everything in between (amazing posters, created by some of the greatest artists of the time, photos and other mementos). Costumes, obviously, presented biggest conservation challenges, being actual pieces, made and used for dancing, some of them extremely fragile but nonetheless impressive in their imaginative designs and meticulous detailing.
A surprising treasure trove of artifacts from the early 19th century sat patiently behind a college building, waiting to be discovered under only a few inches of dirt.
Alison Bell, alumni, associate professor of archaeology and chair of Historic Preservation & Archaeological Conservation Advisory Committee, paid a visit to the site before the construction crews began working on renovations of the historic Robinson Hall at Washington and Lee University in Lexington, Virginia. She was shocked to find numerous artifacts simply scattered in the lawn behind the building. Bell returned in a few days with more help and organized a full blown archeological dig. What they unearthed during 3 days of digging, were literally hundreds of artifacts which, Bell believes constitute only about a third of the site. Some objects date from the early 1800s, with some later ones that date to the Civil War. Household and personal items, school lab supplies and much, much more, which allowed a good glimpse at the academic experience in one of the earliest colleges in the country. Negotiations are underway to continue digging in hopes to add to the already impressive collection.
After thorough cleaning and sorting (same grid on a smaller scale was used for temporarily storing the artifacts as was for digging them out), archeologists concerned themselves with a proper way to preserve found treasures. We totally approve of their choice of archival quality Top View Artifact Boxes, which allow convenience of being able to view and display collections while avoiding the necessity of extra handling.
There is a very old and honorable guest visiting New England, more specifically – Boston, Massachusetts. This guest has been around… longer than our current calendar, is fragile and extremely brittle, yet, it’s still standing, and can even travel around the world on occasion! The guest of honor, of course, is the exhibit of Dead Sea Scrolls, joined by a large collection (more than 600 objects) of artifacts on loan from Israel Antiquities Authority.
The exhibit, Dead Sea Scrolls: Life in Ancient Times, opened at the Museum of Science this week with the main attraction being, of course, 2000+ year old fragments of the manuscripts of works later included in the Hebrew Bible. Mostly written on parchment (although there are some on papyrus and bronze), these precious texts survived all this time because they were hidden in dark caves in the dry and arid climate of the Qumran area adjoining the Dead sea. Originally discovered by a Bedouin shepherd around 1947, the first found scrolls underwent some very rough handling (hanging from a tent pole and occasionally being passed around in attempts to figure out their value), and sustained considerable damage. After that, they traveled around, sustaining further damage (one was stuck between two pieces of window glass, trapping the moisture with it, others were nearly destroyed with glue and tape during attempts to “fix” them, and quite a few suffered major mildew and acid damage from being stored in a damp vault placed in non-archival manila envelopes). But once they were finally identified and acquired by the Antiquities Authority, major preservation efforts were made. Tellingly, the maximum time conservators allow for them to be displayed is 90 days, after which the 10 featured scroll fragments will be switched out with new pieces.
Since 1991, the scrolls reside in solander boxes in a climate controlled laboratory while Israel Museum conservators concentrate on removal of tape, oils, metals, salt and other contaminants using the most advanced modern scientific methods. The Museum and Google joined forces to complete the digitization project which is due to be finished in 2016, but you can already scroll (pun intended) through the scanned texts, zooming in areas with very high resolution views, and even read the instant online translation.
• First of all, make sure to carefully extract any and all of the existing clips and staples or remove rubber bands and threads. Smooth out the indentations and holes left by them and make sure there’s no left over “debris”.
• Although some Stainless Steel, Brass, Plastic and Binder Clips are perfectly ok for short term storage and handling, long term use of any of them might lead to contamination and/or physical damage to the important paper artifacts, ephemera and documents.
• For permanent archival storage of larger items, especially the more fragile ones, we recommend housing them individually rather than in groups. For example, Adjustable Rare Book Storage Boxes give you flexibility in terms of size and they do keep the item together by applying gentle but firm pressure on all sides. These kinds of items are best stored vertically, fully supported all around.
• Items of various materials, age and damage level should not be combined inside the same enclosure to avoid cross-contamination. However, individual documents can be contained and preserved by putting them into clear enclosures and then grouped together inside folders or envelopes.
• The smaller groups of items should be placed inside strong, archivally safe boxes to preserve them from physical damage, dust, dirt and light, the archenemies of the aging paper. Moisture-resistant options are also available and provide an extra layer of protection, especially for natural disaster-prone areas.